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| Krake Zuckerberg (Octopus Zuckerberg): its distinctive face makes sure that we don’t lose sight of Zuckerberg’s Jewishness. |
Another Tack..
07 March '14..
Most German publications no longer even pretend any wariness about coming off as anti-Jewish. Gone are the days when Germans had to at least appear a tad more cautious than their fellow Europeans. The latter reverted quickly enough to their old Jew-baiting habits but the Germans have willy-nilly caught up.
A cogent example is being consistently provided by Munich’ s left-liberal Sueddeutsche Zeitung, which also happens to be Germany’s largest broadsheet daily. It recently featured a cartoon lampooning Facebook founder and CEO Mark Zuckerberg after his outfit had acquired WhatsApp. The idea was to show Zuckerberg as a voracious octopus that swallows up everything around it. The caption at the bottom left-hand corner of the cartoon clearly read “Krake Zuckerberg” (German for Octopus Zuckerberg.) Up to this point, it’s tolerable criticism.
But the octopus, as drawn by cartoonist Burkhard Mohr, was also given quite a distinctive face. Its function, presumably, was to make sure we don’t lose sight of the fact that young Zuckerberg – innovative enough to have given the world a social network which millions of Germans also use – is a Jew. To that end, Mohr portrayed him with a preposterous hook-nose and thick fish-lips – as per the freakish stereotype sinisterly ascribed to Jews by their tormentors.
The most glaring example was Julius Streicher’s Nazi-era Der Stürmer which surpassed all competitors in caricaturing Jews as hook-nosed spiteful grotesques. However, while Der Stürmer was the worst, it wasn’t alone. In fact, it’s still seemingly unobjectionable all over the globe to gratuitously picture Jews in Der Stürmer style.
The Arab world, beloved by ardent liberals, has long specialized in this genre of demonizing and degrading misrepresentations of Jews.
Even in sterling democracies, like Britain and the US, we routinely see much of the same. It’s as if this is the stock depiction of the Jew and nothing else will drive home the identity of the targeted individual and/or group. A Jew can be as dashingly handsome as the late Moshe Dayan was, but still be portrayed as a repulsive Der Stürmer Jew – lest there be any misapprehension.
And so, a baby-face like Zuckerberg, who looks nothing like Mohr’s hideous ogre, must be given the mandatory hook nose so no one misses the message.
Herein lies the crux of the problem.




