31 January '12..
“Five Broken Cameras” didn’t win the World Documentary competition at last week’s Sundance Film Festival, losing out to another anti-Israel film. But it has garnered plenty of international attention, including two awards at Amsterdam’s International Documentary Film Festival and a glowing write-up in the New York Times. The film, according to the Sundance synopsis, documents what happened after the West Bank village of Bil’in “famously chose nonviolent resistance” against Israel’s security fence: “an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements,” in which a child’s “loss of innocence and the destruction of each camera are potent metaphors.” In short, another tale of good Palestinians versus evil Israelis.
You have to persevere to the end of the Times piece to find another angle to Palestinian filmmaker Emad Burnat’s story:
In late 2008, he accidently drove a truck into the separation barrier and was badly injured. A Palestinian ambulance arrived at the same time as Israeli soldiers, who saw what bad shape he was in and took him to an Israeli hospital.
“If I had been taken to a Palestinian hospital,” Mr. Burnat said, “I probably wouldn’t have survived.” He was unconscious for 20 days. Three months later he was back filming.
In short, Burnat is alive today to win prizes for a film about evil Israeli soldiers suppressing “nonviolent resistance” in Bil’in because those same evil Israeli soldiers saved his life four years earlier. And this is not an irrelevancy; it epitomizes the flaw in the “good Palestinians versus evil Israelis” trope: As anyone who makes any effort to discover the facts quickly learns, Israelis all too often refuse to play the part assigned to them.